The contact with Barcelona awakens his interest in other topics other than animal symbology. The subject of the portrait appears in his painting, which he develops through an insistent elaboration of portraits of memory, with which he shapes compositions in the form of mosaics.

Subsequently his portraits are stripped of those backgrounds from which they emerge. The portrayed character formally evidences a certain volumetric character. That's when he feels the restlessness or need for those characters to jump into the three dimensions. His studies in sculpture provide him with the theoretical and technical information to start building a sculptural discourse, a work that he continues to develop today.

With the Body as an anchor, his most recent work is part of an investigation that revolves around the human being, in which he explores themes such as the mind, body language, the particular and the universal, the relationship with the other, time, portrait; concepts that together with formal aspects such as the importance of drawing, which shapes the structure of his work, acting inside the form and outside, through the intervention of piano strings, wires, rods and steel networks. It is a three-dimensional drawing that travels through space, incorporating emptiness into the work, a light drawing, which dialogues with the volume by traversing it, or enveloping it, establishing boundaries, spaces and generating structures like a grid.